KOMAR & MELAMID:
Desperately Seeking A Masterpiece
October 4 – December 14, 2003
Kawamura Memorial Museum of Art
This fall, the Kawamura Memorial Museum of Art will
host an exhibition entitled, “Komar & Melamid: Desperately Seeking A Masterpiece.” In
this exhibition the Russian duo Komar & Melamid (Vitaly Komar, (b.
1943), and Alexander Melamid, (b.1945) now based in New York, introduce
two of their latest projects: “People’s Choice” and “Elephant
Art.”
The “myth of the artist” might be formulated as “A masterpiece
must be created through artistic inspiration and human genius, and requires
intentionality, outstanding technique, and imagination.” But Komar & Melamid
have challenged this myth, asserting that the origins of art may lie
elsewhere. This challenge comes in the form of two original concepts:
art in response
to the preferences of a random group of people, and art by animals
in this case, paintings made by intelligent elephants. Through the
selection and display of these unorthodox works, this exhibition seeks
to offer
a new perspective on the origins and future direction of fine art.
The “People’s Choice” project led to the production
of two categories of paintings: a “Most Wanted” group of works
and a “Least Wanted” collection. Criteria governing concept,
style, motif, color, brush strokes, and so on were established through
random telephone surveys within a given country. Beginning in the United
States in 1993, “Most Wanted” and “Least Wanted” paintings
have now been generated based on the preferences of respondents from
fourteen additional countries: Russia, Ukraine, Finland, Denmark, France,
Turkey,
Iceland, Kenya, China, Portugal, Holland, Italy, Germany, and Austria.
In this exhibition, works based on Japanese responses will now join
the collection. Further information on this project is available at
the following
website:
“
Elephant Art” began in 1998 out of the artists’ interest in
Thai elephants and their handlers, or mahouts. These elephants had
been used in forestry but were no longer needed due to a 1990 ban on
deforestation. After travelling to Thailand and visiting various camps
where these
elephants
were kept, Komar and Melamid chose to begin their project at the Lampang
camp, where they found elephants living in relatively good conditions,
well cared for by their mahouts.
The artists set about teaching the elephants to paint
and, with the cooperation of the mahouts, the elephants proved surprisingly
adept
at using their trunks to manipulate the brushes, creating abstract
paintings with graceful brush strokes. The first elephant art
school was thus
established
in Lampang; later, centers opened in Phuket and Ayutthaya,
and
there are plans to open another in northeast Surin this year.
Since its inception,
the project has extended to India, Indonesia, Cambodia, and
other parts
of Southeast Asia. Further details on this project can be found
at
In 2000, fifty elephant paintings were offered for auction
at Christie’s
Auction House in New York, and all of these paintings sold. In this exhibition
huge murals, 3 m x 8 m, created by the most talented of the Thai elephants,
will be on display. Further, on weekends, museum visitors can also see
the elephants from the “Ichihara Elephant Kingdom” learn to
use brushes and paint.
The exhibition will be both entertaining and thought-provoking.
Are these “paintings by survey” really works of art? On what basis
can we claim to understand works generated by elephants? These works
once again call into question the links between art, science, religion,
and
society.
EXHIBITION
| KOMAR & MELAMID: |
Desperately Seeking A Masterpiece |
| Organizer: |
Kawamura Memorial Museum of Art (Dainippon Ink and Chemicals, Inc.) |
| Patrons: |
Chiba Prefecture
The Board of Education of Chiba Prefecture
Sakura City
The Board of Education of Sakura City
|
| Supporters: |
Japan Airlines
Nikkei Research Inc.
Sakura Craypas
Cable Net 296
|
| Special Cooperation: |
Ichihara Elephant Kingdom |
EVENTS
- “Elephant Art Class”, with Komar & Melamid
- Oct 4 & 5, 11-12 am /1-2 pm
- “Elephant Art Class” - Saturdays & Sundays, 11am-3 pm
- Artist Talk - Oct 4, 2-3:30 pm
- Slide Performance, “Komar & Melamid: Art Ministry” - Oct
5, 2-4:30 pm
- Lecture, “Komar & Melamid, or the High Art of Fooling Around” by
Amelia Arenas - November?, 2-3:30 pm
CONTACT
Sumi Hayashi, curator
Norie Kaiya, PublicistKawamura Memorial Museum of Art
631 Sakado, Sakura, Chiba 285-8505 JAPAN
tel: +81-43-498-2672
fax: +81-43-498-2139
Elephant Art Class in Lampang
photo: Jason Schmidt
KOMAR & MELAMID: Desperately Seeking A Masterpiece
October 4 – December 14, 2003
Kawamura Memorial Museum of Art
This fall, the Kawamura Memorial Museum of Art
will host an exhibition entitled, “Komar & Melamid: Desperately Seeking A Masterpiece.” In
this exhibition the Russian duo Komar & Melamid (Vitaly Komar, (b.
1943), and Alexander Melamid, (b.1945) now based in New York, introduce
two of their latest projects: “People’s Choice” and “Elephant
Art.”
The “myth of the artist” might be formulated as “A masterpiece
must be created through artistic inspiration and human genius, and requires
intentionality, outstanding technique, and imagination.” But Komar & Melamid
have challenged this myth, asserting that the origins of art may lie
elsewhere. This challenge comes in the form of two original concepts:
art in response
to the preferences of a random group of people, and art by animals
in this case, paintings made by intelligent elephants. Through the
selection and display of these unorthodox works, this exhibition seeks
to offer
a new perspective on the origins and future direction of fine art.
The “People’s Choice” project led to the production
of two categories of paintings: a “Most Wanted” group of works
and a “Least Wanted” collection. Criteria governing concept,
style, motif, color, brush strokes, and so on were established through
random telephone surveys within a given country. Beginning in the United
States in 1993, “Most Wanted” and “Least Wanted” paintings
have now been generated based on the preferences of respondents from
fourteen additional countries: Russia, Ukraine, Finland, Denmark, France,
Turkey,
Iceland, Kenya, China, Portugal, Holland, Italy, Germany, and Austria.
In this exhibition, works based on Japanese responses will now join
the collection. Further information on this project is available at
the following
website:
“
Elephant Art” began in 1998 out of the artists’ interest in
Thai elephants and their handlers, or mahouts. These elephants had
been used in forestry but were no longer needed due to a 1990 ban on
deforestation. After travelling to Thailand and visiting various camps
where these
elephants
were kept, Komar and Melamid chose to begin their project at the Lampang
camp, where they found elephants living in relatively good conditions,
well cared for by their mahouts.
The artists set about teaching the elephants to paint and, with the
cooperation of the mahouts, the elephants proved surprisingly adept at
using their trunks to manipulate the brushes, creating abstract paintings
with graceful brush strokes. The first elephant art school was thus established
in Lampang; later, centers opened in Phuket and Ayutthaya, and there are
plans to open another in northeast Surin this year. Since its inception,
the project has extended to India, Indonesia, Cambodia, and other parts
of Southeast Asia. Further details on this project can be found at
In 2000, fifty elephant paintings were offered for auction at Christie’s
Auction House in New York, and all of these paintings sold. In this exhibition
huge murals, 3 m x 8 m, created by the most talented of the Thai elephants,
will be on display. Further, on weekends, museum visitors can also see
the elephants from the “Ichihara Elephant Kingdom” learn to
use brushes and paint.
The exhibition will be both entertaining and thought-provoking. Are
these “paintings by survey” really works of art? On what basis
can we claim to understand works generated by elephants? These works
once again call into question the links between art, science, religion,
and
society.
EXHIBITION??????????????????????????????????????????????????????????
KOMAR & MELAMID: Desperately Seeking A Masterpiece
???Organizer: Kawamura Memorial Museum of Art (Dainippon Ink and Chemicals,
Inc.)
???Patrons: Chiba Prefecture
The Board of Education of Chiba Prefecture
Sakura City
The Board of Education of Sakura City
???Supporters: Japan Airlines
Nikkei Research Inc.
Sakura Craypas
Cable Net 296
???Special Cooperation:
Ichihara Elephant Kingdom
EVNENTS???????????????????????????????????????????????????????????
? “Elephant Art Class”, with Komar & Melamid
??Oct 4 & 5, 11-12 am /1-2 pm
? “Elephant Art Class”
??Saturdays & Sundays, 11am-3 pm
? Artist Talk
??Oct 4, 2-3:30 pm
? Slide Performance, “Komar & Melamid: Art Ministry”
??Oct 5, 2-4:30 pm
? Lecture, “Komar & Melamid, or the High Art of Fooling Around” by
Amelia Arenas
??November?, 2-3:30 pm
CONTACT?????????????????????????????????????????????????????????????????????
Sumi Hayashi, curator
Norie Kaiya, PublicistKawamura Memorial Museum of Art
631 Sakado, Sakura, Chiba 285-8505 JAPAN
t: +81-43-498-2672
f: +81-43-498-2139
|